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Title:Nightmare Movies: A Critical Guide to Contemporary Horror Films
Author:Kim Newman
Book Format:Hardcover
Book Edition:First Edition
Pages:Pages: 255 pages
Published:October 7th 1989 by Harmony (first published 1984)
Categories:Culture. Film. Horror. Nonfiction. Reference. Media Tie In
Download Books Nightmare Movies: A Critical Guide to Contemporary Horror Films  Online Free
Nightmare Movies: A Critical Guide to Contemporary Horror Films Hardcover | Pages: 255 pages
Rating: 4.17 | 220 Users | 8 Reviews

Explanation As Books Nightmare Movies: A Critical Guide to Contemporary Horror Films

In 1968, George Romero's Night of the Living Dead and Roman Polanski's Rosemary's Baby brought a new slant to the horror film, bringing zombies and witchcraft into a contemporary setting, and much closer to home than the cardboard Transylvanias of earlier films. This work is a critical overview of the horror movie genre from the late 1960s with a discussion of over 2000 films - masterpiece and monstrosity alike.

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Original Title: Nightmare Movies: A Critical Guide to Contemporary Horror Films
ISBN: 0517573660 (ISBN13: 9780517573662)
Edition Language: English

Rating Epithetical Books Nightmare Movies: A Critical Guide to Contemporary Horror Films
Ratings: 4.17 From 220 Users | 8 Reviews

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This is THE definite encyclopedia for you horror movie buffs out there. And marvellously written! If all non fiction books were such a reading pleasure I would read a lot more of them.

According to the author, "Night of the Living Dead" is the best horror film ever, all Italian horror is a rip-off of successful American productions, "Alien" is worse than an Ed Wood film, and Steven Spielberg is the Antichrist. As a matter of fact, all movie released after about 1983 are horrible.This book was a quick read and gives some interesting info on films you probably already know about. I did find a few that I want to move to the top of my Netflix queue, but if you're looking for a

Quite simply - One of THE best books ever written on horror movies (along with Phil Hardy's The Overlook Film Encyclopedia: Horror) - Newman's approach, finding thematic nodes around which to cluster films, and opening them up to interpretive readings - quite simply revitalized my life-long love of horror films that had been flagging by the end of the 80s (well, Newman's book and the critical writings of Tim Lucas in the column and then magazine Video Watchdog - the early days of which are

Great survey of horror and related movies from 1968 through 2010, with a lot of entertaining analysis and humor mixed in.

Not an encyclopedia, Newman instead organises movies by theme, constructing in clusters of titles a patchwork narrative of post-'68 horror cinema much as Dr Frankenstein fashioned the Monster. The paradigm shift is represented by Night Of The Living Dead, and, by implication, the delayed reaction to the steak knife Psycho plunged into the heart of traditional horror cinema in 1960. Of course, that corpse continued to walk for several years, weakening as the ferocious, uncouth youngster grew in

Autorius kaip kertinį siaubo filmo žanro akmenį laiko 1968 metų filmą Night of the living dead, ir savo studiją pradeda būtent nuo jo. Knygos skyriai skirti kurio nors siaubo kinematografijos subžanro analizei, informacijos begalė, net ir man buvo daugybė negirdėtų filmų. Kartais norėdavosi kiek plačiau, nes daugumai filmų skirta po kelis sakinius ar ir mažiau. Tiems, kas domisi siaubiakais, perskaityti privaloma.

Note: This author also writes under the pseudonym of Jack Yeovil.An expert on horror and sci-fi cinema (his books of film criticism include Nightmare Movies and Millennium Movies), Kim Newman's novels draw promiscuously on the tropes of horror, sci-fi and fantasy. He is complexly and irreverently referential; the Dracula sequence--Anno Dracula, The Bloody Red Baron and Dracula,Cha Cha Cha--notQuite simply - One of THE best books ever written on horror movies (along with Phil Hardy's The Overlook Film Encyclopedia: Horror) - Newman's approach, finding thematic nodes around which to cluster films, and opening them up to interpretive readings - quite simply revitalized my life-long love of horror films that had been flagging by the end of the 80s (well, Newman's book and the critical writings of Tim Lucas in the column and then magazine Video Watchdog - the early days of which are
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